Gemini Man 2019 ein Filmtitel mit Genre Action, Drama, Science Fiction, Thriller, Film Hd Film Hd Mein in HD-Video. voll Streaming Gemini Man in High-Definition-Format. Ende Neu Film Trailer Gemini Man in qualitativ hochwertige Video-. Deutscher Film Neu Im Kino Gemini Man in HD-Format. Original voll Gemini Man in besten Blick Videoformat.
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- Originaltitel : Gemini Man
- Filmtitel in Ihrem Land : Gemini Man
- Jahr der Film : 2019
- Genres des Films : Action, Drama, Science Fiction, Thriller,
- Status-Film : Released
- Veröffentlichungsdatum : 2019-10-02
- Die Unternehmen der Film : Skydance Media, Jerry Bruckheimer Films, Alibaba Pictures Group, Fosun Group Forever Pictures,
- Länder Film : China, United States of America,
- Sprache des Films : English,
- Durasi Of film : 117 Min
- Stimme durchschnittlich : 6.4
- Youtube ID des Films : videokode
- Übersetzung von Film : translation
- Filmbesetzung :Jeff J.J. Authors (Man at Marina), Lilla Banak (Henry's Mom), Clive Owen (Clay Verris), Tony Scott (High School Principal), Fernanda Dorogi (Mother on Train), Ralph Brown (Del Patterson), Alexandra Szucs (Aniko (Lab Technician)), Justin James Boykin (Connor (uncredited)), Ilia Volok (Yuri Kovacs), Daniel Salyers (Patterson's Son), Jordan Sherley (High School Girl), Mary Elizabeth Winstead (Danny Zakarweski), Alexa GyÖrgy (Young Girl on Train), Tim Connolly (Key Shack Agent), Igor Szász (Valery Dormov), Theodora Miranne (Kitty (Jack's Girlfriend)), Diego Adonye (Henry's Dad), Victor Hugo (Junior (On-Set Reference)), Linda Emond (Janet Lassiter), David Shae (Bicycle Messenger), Benedict Wong (Baron), E.J. Bonilla (Marino), Will Smith (Henry Brogen / Junior), Douglas Hodge (Jack Willis)
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Gemini Man ist eine vernünftige film produziert von Skydance Media, Jerry Bruckheimer Films, Alibaba Pictures Group, Fosun Group Forever Pictures, Verwendung einer Beschreibung des Films "Henry Brogan ist ein Weltklasse-Attentäter, der sich in den Ruhestand begeben will. Da setzt sein ehemaliger Vorgesetzter Clay Verris plötzlich einen gefährlichen Assassinen auf ihn an, der sich als Henrys eigener, im Geheimen erzeugter und vor allem viel jüngerer Klon entpuppt. Es entbrennt ein ebenbürtiges Duell zwischen dem menschlichen Original und seiner Kopie, in dem beide immer den nächsten Schritt des jeweils anderen zu kennen scheinen. Brogan wird dabei von der Regierungsagentin Danny Zakarweski und seinem Kollegen Baron beim Überleben unterstützt, während sein Klon in eine Identitätskrise stürzt. Werden die Profi-Killer den tödlichen Teufelskreis durchbrechen können, den der undurchsichtige Verris in Gang gesetzt hat?". Der Film wurde mit hervorragenden grafischen Qualität hergestellt, beste Ohr Platzen Klangqualität und feinsten mit Schauspielern.
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Production Secretary : Julian OrdoÑez, Editor : Tim Squyres, Foley Editor : Frank Kern, Supervising Sound Editor : Philip Stockton, Assistant Art Director : Laura Victoria Alvarez Giordanelli, Additional Script Supervisor : Hajar Mainl, Travel Coordinator : Russell Bartlett, Video Assist Operator : Jorge Luis German, First Assistant "A" Camera : Chad Rivetti, Modeling : Shamus Baker, Sound Effects Editor : Allan Zaleski, CG Supervisor : Alessandro Saponi, Assistant Art Director : Hilary Noxon, Costume Assistant : Juliana Osorio, Matte Painter : Einar Martinsen, Art Department Coordinator : Veronika Szücs, Second Second Assistant Director : Luke Crawford, Second Second Assistant Director : Christian Labarta, Costumer : Lisa Gardner, Best Boy Grip : Shannon Summers, Special Effects Supervisor : Gábor Kiszelly, Lighting Technician : John Paul Palmer, Key Makeup Artist : LuAndra Whitehurst, Pipeline Technical Director : Hamed Hematyar, Production Design : Guy Hendrix Dyas, Matchmove Supervisor : Bhanu Varma, VFX Editor : Kaya Herman, Assistant Sound Editor : Joseph Winterbotham, Executive Producer : Chad Oman, Costume Supervisor : Pashelle L. Latino, Costume Design : Suttirat Anne Larlarb, Set Designer : Jane Wuu, Production Secretary : Viktor de Hegyessy, Gaffer : Jarred Waldron, Sound Mixer : Ed Novick, Compositing Supervisor : Ben Warner, Visual Effects Editor : Sharon Smith Holley, Story : Darren Lemke, Casting : Avy Kaufman, Modeling : Woohyuck Eric Lee, Set Costumer : Kara Talley, Matte Painter : Cory Bedwell, Aerial Camera Technician : Dane Bjerno, Boom Operator : János Csáki Jr., Set Decoration : Zsuzsanna Sipos, Rigging Gaffer : Edward J. Cox, Lighting Technician : Jamie Baglio, Assistant Director : Ferenc Tóth, Second Second Assistant Director : Joe Landry, Visual Effects Production Manager : Colleen Murphy, Matchmove Supervisor : Evan Fraser, Assistant Costume Designer : Allison Cirbus, Set Designer : Claudia Paipa Rodriguez, Graphic Designer : Luis Barvalopez, Electrician : Béla Rácz, Assistant Chief Lighting Technician : Damon Marcellino, Second Assistant Director : Adam Bocknek, Art Direction : Diana Trujillo, Makeup Artist : Judit Farkas-Arful, 3D Generalist : Sebastian Knoll, Makeup Artist : Judy Murdock, Camera Operator : Michael Fuchs, Assistant Editor : Blake Gingerich, Visual Effects Coordinator : Melyssa Forget Turcotte, Lighting Technician : Mark Carlile, Executive Producer : Mike Stenson, Modelling Supervisor : Marco Revelant, First Assistant Director : Jeff J.J. Authors, Art Direction : Karl Probert, Costume Supervisor : Susan J. Wright, Software Engineer : Martin A. Loga, Hairstylist : Pierce Austin, Electrician : László Bánszki, Art Direction : Lissette Schettini, Visual Effects Production Manager : Katherine Soares, Visual Effects Coordinator : Kelly Louise Evans, Rigging Gaffer : Antal Berger, Visual Effects Supervisor : Bill Westenhofer, Assistant Sound Editor : Samuel Miille, First Assistant Director : Darrin Brown, ADR Recordist : Justine Baker, Still Photographer : Ben Rothstein, Foley Artist : Marko A. Costanzo, Graphic Designer : Zsolt Ilia, Assistant Director : Gábor Hegedüs Hege, Hairstylist : Brendon Heath, Story : David Benioff, Script Supervisor : Dug Rotstein, Sound Effects Editor : Michael Gilbert, Production Coordinator : Debbie Kim, Visual Effects Coordinator : Dóra Sárközi, 3D Artist : Vendula Gresova, Principal Costumer : Júlia Kiss, Makeup Department Head : Todd Kleitsch, Assistant Costume Designer : Moria Sine Clinton, ADR Mixer : Dave Wilson, Digital Imaging Technician : Maninder K. Saini, Set Designer : Daniela Medeiros, Set Dresser : Kenneth Bryant, Visual Effects Editor : Kent Blocher, Camera Operator : Daniele Massaccesi, Construction Manager : Balazs Kovacs, Set Costumer : Sara Matonis, Supervising Sound Editor : Eugene Gearty, Rigging Grip : Beau Bellanich, Wardrobe Assistant : Leslie Bellamy, Set Decorating Coordinator : Shaun Young, Visual Effects Production Manager : Balaji Sreedharan, Set Dresser : Gregg Perez, Travel Coordinator : Nathalie Rodriguez Martinez, Executive Producer : Brian Bell, Best Boy Grip : János Kovács, Ager/Dyer : Mariah Fidalgo, Production Coordinator : Chris S. Bryant, Title Designer : Yuanchen Jiang, Lighting Technician : T.Ryan Dodson, CG Supervisor : Stephen Tong, Second Assistant Director : Karen Young, Visual Effects Supervisor : Viktor Muller, First Assistant Director : Tamás Vass, Visual Effects Supervisor : Guy Williams, Compositing Supervisor : Scott Chambers, Electrician : Jack McCollum, Makeup Artist : Aisling Nairn, First Assistant Editor : Andrew Leven, Set Dresser : Krisztián Kondora, Unit Publicist : Michael Singer, ADR Mixer : Mark DeSimone, Lighting Technician : Joseph Mason, Producer : Don Murphy, Second Assistant Director : Ana María Cabrera, Art Direction : Bence Erdelyi, Animation Supervisor : Eric Petey, Makeup Department Head : Luisa Abel, Assistant Art Director : Kristof Pataricza, Third Assistant Director : Hajnalka Vajay, Sound Re-Recording Mixer : Doug Hemphill, Techno Crane Operator : Zoltán Schrammel, Visual Effects Producer : Julie Orosz, Special Effects Supervisor : Devin Maggio, Supervising Art Director : Tom Reta, Hairstylist : Javier Johan Romero, Producer : Jerry Bruckheimer, Assistant Art Director : Cser Kinga, Animation Supervisor : Paul Story, Production Consultant : Frank Murray, VFX Editor : Tom McHattie, Animation : Elard Meneses, Principal Costumer : Dóra Papp, Visual Effects Supervisor : Sheldon Stopsack, Set Decoration : Victor J. Zolfo, Software Engineer : Niall Lenihan, Assistant Director : András Hornek, Costumer : Michael Anzalone, Special Effects Supervisor : Mark Hawker, Armorer : Virle S. Reid, Lighting Technician : Jeff LaBaume, Assistant Costume Designer : Cristina Spiridakis, Construction Coordinator : Arturo Campos, Matte Painter : Gábor Szügyi, Visual Effects Producer : Karen M. Murphy, Costume Assistant : Jenny Arango, Costume Coordinator : Catherine Vidos, Supervising Editor : Debajit Barman, Visual Effects Coordinator : Samira Khan, Art Direction : John Collins, Armorer : Péter Szántó, Visual Effects Producer : Lenka Likarova, Additional Hairstylist : Shaquanta Prescott, 3D Generalist : Daniel Perez, Hair Department Head : Kelvin R. Trahan, Second Unit Director : Jorge Abril, Set Dresser : Jordan Foster, Foley Mixer : George A. Lara, Set Dressing Buyer : Mary Stacy, Visual Effects Coordinator : Malinda McGuire, Key Grip : Donald Reynolds Jr., Electrician : Adam Horne, Production Secretary : Grant Prater, Graphic Designer : Gordon Tanner, ADR Recordist : Jiho Kim, Set Designer : Ron Mason, Graphic Designer : Andrew Rogers, Digital Imaging Technician : Qais Karadsheh, Construction Manager : Akos Menyhart, Assistant Art Director : Borbála Debreczeni, Screenplay : Billy Ray, Set Dresser : Diego Quecano, Stunt Coordinator : Brad Martin, Producer : Don Granger, 3D Generalist : Babak Bina, Key Hair Stylist : Miia Kovero, Art Department Coordinator : Sara Ghaffar, Visual Effects Coordinator : Kristen Drewski, Visual Effects Supervisor : Mangesh Palkrit, Lighting Technician : Joshua D. Quick, Visual Effects Coordinator : Jane Simons, First Assistant Camera : Patrick McArdle, Colorist : Marcy Robinson, Boom Operator : Mark Goodermote, Animation : Mark Stanger, Additional Second Assistant Director : Stephen Turselli, Visual Effects Production Assistant : Fidel Baldovino, 3D Artist : Marco De Rossi, Producer : David Ellison, Pre-Visualization Supervisor : Chris Williams, Set Decorating Coordinator : Zsolt Várhelyi, Screenplay : Darren Lemke, Dolly Grip : Mike Moad, Art Direction : Robert Cowper, Techno Crane Operator : Mark Epstein, Rigging Grip : Harrison Palmer, Production Secretary : Alan Searcy, Camera Operator : Micky Froehlich, Music Editor : E. Gedney Webb, Pipeline Technical Director : David Zeng, Production Consultant : Jarin Rossiter, Art Direction : Gergely Rieger, Key Grip : Mitchell Andrew Lillian, First Assistant Director : Vincent Giarratano, Director : Ang Lee, Conceptual Design : Dean Sherriff, Software Engineer : Jamie McCarter, Screenplay : David Benioff, Color Assistant : Alan Louis Gordon, Set Dresser : Robert Davis, Set Decorating Coordinator : Carolina Lee Chan, Third Assistant Director : Hajós Péter, Producer : Dana Goldberg, ADR Mixer : Greg Crawford, CG Supervisor : Andrew Roberts, First Assistant Director : Ben Lanning, 3D Generalist : Ondrej Ondracek, Senior Animator : Vincent Caudeville, Construction Coordinator : Thomas A. Morris Jr., Costumer : Carolina Serna, Camera Production Assistant : Calum Clarkson, Visual Effects Producer : Matthew Dravitzki, Aerial Director of Photography : Hans Bjerno, Director of Photography : Dion Beebe, Compositing Supervisor : Miles Lauridsen, Casting : Zsolt Csutak, Costume Design : Cristina Spiridakis, Assistant Director : Lõcsei Márton, Set Decoration Buyer : Szilvia Szisza Toth, Makeup Artist : Caroline Monge, Marine Coordinator : Daniel F. Malone, ADR Mixer : David Boulton, Visual Effects Producer : Chris McClintock, Visual Effects Supervisor : Bryan Hirota, Assistant Chief Lighting Technician : Jeff Wallace, Wardrobe Assistant : Demitria Lyles, Visual Effects : Joe Howes, Sound Re-Recording Mixer : Ron Bartlett, Underwater Director of Photography : Pete Romano, Property Master : Robin L. Miller, Assistant Director : András Hárskúti, Lighting Technician : Louis Rendemonti, Armorer : Howard Fannon, Modeling : Damien Lam, ADR Editor : Kenton Jakub, Assistant Sound Editor : Craig Kyllonen, Electrician : Czinder Máté, Visual Effects Supervisor : Darwin Go, Additional Second Assistant Director : George Lambert, Script Supervisor : Gabriella Winkler, Visual Effects Coordinator : Erin Hewitt, Tailor : Bethany Itterly, Assistant Art Director : Sandra Doyle Carmola, Original Music Composer : Lorne Balfe, Costumer : Giselle Guevara, Set Designer : C. Scott Baker, ADR Mixer : Michael Miller, Visual Effects Production Manager : Jennifer Ramos, Senior Animator : Anneka Fris
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Schlagwörter: clone, hitman,